Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
Pfalzgrafin Anna Christine Luise von Sulzbach (1704-1723), Herzogin von Savoyen

ID: 78755

unknow artist Pfalzgrafin Anna Christine Luise von Sulzbach (1704-1723), Herzogin von Savoyen
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unknow artist Pfalzgrafin Anna Christine Luise von Sulzbach (1704-1723), Herzogin von Savoyen


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unknow artist

  Related Paintings of unknow artist :. | Portrait of Elizabeth (Berkeley), Margravine of Anspach | A view of the Staal Everspijp and the Grote Kerk in summer, Enkhuizen | Still life floral, all kinds of reality flowers oil painting 254 | The Shipwreck by Francis Danby | The Prospect of Nottingbam from the east |
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Harald Sohlberg
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joseph michael gandy
Joseph Michael Gandy (1771 - 1843) was an English artist, visionary architect and architectural theorist, most noted for his imaginative paintings depicting Sir John Soane's architectural designs. He worked extensively with Soane both as draughtsman and creative partner from 1798 until 1809 when he (ultimately unsuccessfully) set up his own practice. Gandy built little in his career, having a reputation as a difficult individual to deal with. However his work included the Phoenix Fire and Pelican Life Insurance Offices (1804?C1805, destroyed ca. 1920) in London, Doric House at Sion Hill in Bath (1818), and the remodelling of Swerford Park house in Oxfordshire (1824?C1829). Commercially he was a failure and served two terms in a debtors' prison, but his published and exhibited work was largely a critical and popular success. In 1821 he published two articles in the Magazine of Fine Arts on The Philosophy of Architecture. He intended to expand upon this subject in an eight-volume work entitled Art, Philosophy and Science of Architecture, of which his unpublished manuscript survives. His paintings show a dramatic use of two-point perspective and architectural precision, and also reflect his (and Soane's) fascination with Roman ruins. His architectural fantasies owe a clear debt to Piranesi and play upon historical, literary and mythological themes with a feeling for the sublime that is the equal of his contemporaries J. M. W. Turner and John Martin. He died in a private asylum in Devon where he had been placed by his family in 1839. Many of his paintings can be seen in the Pictures Room of Sir John Soane's Museum in London.






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